as well as Matsugoro Oto and Sakichi Yanagisawa.

Old pamphlets and show programs from the time when koten music and dance were popular.The dance world was equally vibrant.

Ninth-generation iemoto Kineya Yjuru (right) and fifth-generation iemoto Sanjo Kanya (left) were among those who energized the postwar hogaku scene in Los Angeles.the Los Angeles hogaku world continued to decline.I heard that wonderful order emerged in the camps.

people who had been active in multiple groups came together to form Shiki-no-kai.I was truly amazed by the cultural richness of the Japanese American community.

It was because of this foundation that Japanese culture was so vibrant in Los Angeles in 1973.

There were also several other major nagauta groups.foundation board members and RHS Hall of Fame Committee.

he has helped raise hundreds of thousands of dollars for City of Hope.he honed his skills as a graphic designer.

His father was from Kagoshima and his mother born in La Puente but raised in Japan.which is composed of five details: Emergency Services.